1,602 Royalty-Free Audio Tracks for "Time Tones"

Sound used in disquiet junto project 0481: capsule time.

Sound used in disquiet junto project 0481: capsule time.

Filed for sbr's opera project.

Sound of a switch.

Computer-generated.

Big ben strikes 8 o'clock before restoration work begins.

Passage of time. . . From an old film, a cliche clock's tick-tock with orchestra accompaniment.

A little jingle i made up on my computer for a play our middle school was doing.

Random synth sound.

Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.

Space tourists watching rings of saturn. Thanks to satellites that have been close to saturn, we now have pictures that show clearly how beautiful the rings are. It is so beautiful that in a few years surely space tourists will go there. In this song i describe the atmosphere there is at that moment. They look at the combination of complexity and simplicity of the rings. Everyone will be very impressed with all the colors that are caused by the refraction of sunlight by the ice present. There are the impressive moons of saturn. The one with more mysteries than the other. At that time maybe life has been found on or in those moons.

A design of time.

A little recording of a clock ticking away. If you make use of this, please do credit me by including the following link. I’d also love to see / hear your project. Www. Eqavoxmusic. Com.

I combined 2 sounds. One sound is always the same till the end and the other sound is separated in three times: one is lower, the other one louder and again lower, but still the same sound. To finish the sound i put a gong sound to show that is finish.

Trying to kill or fill time? want something kind of funny? mp3 edited audacity adobe podcast.

Diminished seventh chord on B.

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

One of four 'Link' chords, all-interval twelve-tone sets containing an all-trichord hexachord.

Dominant seventh raised ninth vs dominant seventh split third chord.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Common-tone diminished seventh chord.

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Gruppen tone row (Stockhausen 1963b, 116; Harvey 1975, 58; Misch 1998, 161; Whittall 2008, 185).

Tone generated on a landline phone when phone line is active and ready for use. Created from scratch using signal generators.

Put my zoom h2n inside the oven and closed it for this.

I've put my zoom h2n inside an old pizza oven and closed it for this.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Diminished triad on B, as MIDI

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

Source sony radiorecorded with sound devices 633.

Rewind forward time travel sci fi alien.

Various sounds from manipulating a stopwatch. Recorded at www. Rafincistudio. Com with a quality condenser mic.

Recorded with audacity using hydrogen drums, a line 6 amp, jackson dinky guitar, bass is guitar pitched down with audacity.

Timer from my oven, loopable sound. Recorded with integrated mics from a tascam dr-40, 96khz 24bits.

Timing relays in a #5 crossbar central office telephone switch.

Ambient digital sounds with pads, bass, clock ticking, like in a time machine. Please reference to my music if a sound is integrated in your project.

The tick of an antique clock. Recorded with a contact mic.

Cheap chinese clock machine, recorded with sm58.

Faraway train gliding over the night, france, 2007. Recorded with schoeps ab ortfrecorded on tascam dap148khz, 16 bits.

This is a recording of knocking on a door/wood.

Clock beep sound.

Just something i recorded while on my way home, could be used for a game or short scene.